Eugène Ionesco’s 1959 play is an apt allegory for Israel’s contemporary crisis, at a time when it’s hard to say who is more of a ‘rhinoceros’: the public, state officials or the art world? | Read More in Life & Culture RSS
Iran’s Supreme Leader says negotiations with US would not be in Tehran’s interests
EU’s von der Leyen says she wants Europe to stop buying Russian oil by end of year
Miami-Dade County’s Jewish mayor faces off against her own son over Israel bonds
Israeli government seeks permanent Gaza control and Jewish majority in West Bank, UN inquiry says
UN commission accuses Israel of genocide in Gaza, seeking permanent control
Portugal’s embarrassing slip: Sudanese flag shown in Palestinian recognition post
Hamas welcomes global recognition of Palestinian state, urges action on Gaza
Israel closes Allenby Crossing indefinitely after terror shooting by Jordanian national
IAEA chief: Iran talks at ‘difficult juncture’ as sanctions set to return
Syrian President: Security deal with Israel possible, but no recognition
Singapore to sanction ‘settlers’, but won’t recognize ‘Palestine’ – yet
Tear gas and chaos: Italian cities rocked by anti-Israel demonstrationsIran’s Supreme Leader says negotiations with US would not be in Tehran’s interestsEU’s von der Leyen says she wants Europe to stop buying Russian oil by end of year
Qatar’s emir says Israel’s strike on Doha was attempt to derail Gaza ceasefire talks